He considered helming a Hobbit film and a Lord of the Rings prequel film in 2006,[118] before deciding to produce two films based on The Hobbit for a director of his choosing. | Elijah Wood, Tolkien's Dislike of Walt Disney", "Sir Peter Jackson in conversation: Exeter College Oxford Eighth Century Lecture Series", "JRR Tolkien: 'Film my books? [26] According to O'Dell, John Lennon fancied the role of Gandalf, but George Harrison recalled that Lennon then wanted to swap for Frodo. In 1972, animators Rankin and Bass wanted to adapt Tolkien's works to animation as part of their series of television specials. [52], Boorman enthusiastically corresponded with Tolkien about the project, telling him he intended to make it with small people playing the Hobbits and in live-action, which Tolkien preferred. "[61] He decided "that the Tolkien property that I could handle was 'The Hobbit',"[7] although portions of The Lord of the Rings were optioned as a sequel given pressure from the network. His first draft tried to encompass the whole of the story, plus a setup for The Lord of the Rings at the end. This is a high resolution interactive map of J.R.R. Tolkien's Middle-earth. Rankin had him pare it down, and at one point also wanted to cut out the spiders, but was talked out of it by Lester. [9], Deitch's film was the first onscreen depiction of any of Tolkien's works, but it was little more than a narrated picture-book, with a narrator telling the 12-minute short story over a series of animation stills. [17], In 1959, Tolkien entered brief negotiations with Robert Gutwillig to adapt The Lord of the Rings. Thinking that a "straight"[38] adaptation of the story was impossible, he wanted to do an animated film in the style of Fantasia or "rock opera" with a Kurosawa-like aesthetic. The film was released without any indication that a second part would follow, over Bakshi's objections. [25], The first live-action film and television adaptations of Tolkien were television productions made in Eastern Europe in the 1970s and early 1990s, most of them unlicensed. The Hunt for Gollum, a fan film based on elements of the appendices to The Lord of the Rings, was released on the internet in May 2009. [132], Сказочное путешествие мистера Бильбо Беггинса Хоббита, Selkirk also acted as the supervising producer for, OUTRE: The World Of Ultramedia, issue #26, The Lord of the Rings: The Return of the King, Hugo Award for Best Dramatic Presentation, The Fabulous Journey of Mr. Bilbo Baggins the Hobbit, The Lord of the Rings: The Fellowship of the Ring, The Hobbit: The Battle of the Five Armies, "The Movie Date That Solidified J.R.R. The nine episodes were aired on Yle TV1. Martin Freeman, A biopic about J.R.R. The three films are subtitled An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies. | [5][53] Al Pacino was considered for Frodo,[49] and Sauron is described in the script as looking like Mick Jagger. He first pitched the idea of adapting The Lord of the Rings and The Hobbit to Miramax in 1995. Most of the action in the films takes place in the Third Age. They contemplated a three-film structure, but "we didn't know how that middle film would work". He'd seen Bakshi's Lord of the Rings in 1978, enjoyed it and "wanted to know more", reading a tie-in version of the book (following it up with The Hobbit and The Silmarillion) and listening to the 1981 BBC r… [3] Tolkien and his publishers, Allen and Unwin, were willing to play along with film proposals, under the conditions of having a veto on creative decisions or relinquishing those for a hefty sum of money. While Tolkien noted that a film "would be pleasant",[4] he delayed in reviewing the synopsis until urged by Unwin, and once he delivered his initial notes to Ackerman, the agent was granted a six-month option if he could find a producer to finance the project. Bilbo Baggins is in possession of a mysterious and magical ring. [49] Pallenberg was sorry that they never got to revise the script, which exists only as a rough draft,[38] described by Boorman as "almost unmakeable. [6] Joy Hill, Tolkien's secretary who worked for Allen & Unwin, was said to have contacted Disney for the rights at the time,[1] and it was possible this was done to place United Artists in a competitive position. Fox were interested, but unwilling to enter a project involving Saul Zaentz, and Sony and Centropolis did not find the scripts to their liking. [24], Meanwhile, a couple of American teenagers unsuccessfully attempted to obtain the rights to The Hobbit. [85] Sir Ian Holm (later to become Jackson's first choice for Bilbo Baggins) voiced Frodo. | Masquerading as a friend, Morgoth bred division among the elves residing in Valinor - a chasm that would rumble on for generations. "[70] Medavoy did not want to produce Bakshi's film, but allowed him to shop it around if he could get another studio to pay for the expenses on Boorman's script. | Director: Released in the fall of 2014 was … | Gross: [108], The Weinsteins suggested reducing the project to a single, two-hour film. Lester Abrams sent Rankin 20 character designs after Rankin and Bass liked his work on an excerpt of Tolkien for Children's Digest at the time. Cast: Sauron as Lord Business. During this time, filmmakers who attempted to adapt Tolkien's works include William Snyder, Peter Shaffer, John Boorman, Ralph Bakshi, Peter Jackson and Guillermo del Toro. New Line Cinema released the first part of director Peter Jackson's The Lord of the Rings film series in 2001 as part of a trilogy and several actors and roles were introduced once again in a trilogy in The Hobbit film series. [50] Boorman thought it impossible, but allowed himself to be persuaded. [75] However, the sum did not tempt the studio into making a sequel,[50] and merchandise and VHS sales were not promising. The film was animated in the United States by Bakshi's studio. In 1978 the first big screen adaptation of the fictional setting was introduced in the animated The Lord of the Rings. After Sir Ian McKellen (Gandalf in The Hobbit and Lord of the Rings) suggested that there should be upcoming Middle Earth movies, the New Zealand director made it clear that there will be no more future Middle Earth movies, well, at … Bakshi later clarified that he thought the film could "make some money" to save his studio after his previous film, Coonskin, tanked. Elijah Wood, The term \"Middle-earth\" was not invented by Tolkien. The whole project from pitch to release lasted about two years. $258.37M, PG-13 | All three won the Hugo Award for Best (Long-form) Dramatic Presentation in their respective years. "[9] As was the case with Snyder, the emerging contracts would provide United Artists with complete creative freedom over the works, and even offered UA first bidding at the television rights, which were negotiated separately but never sold to them. I have it on my piano", "An Interview with the Director of The Lord of the Rings - No, not Peter Jackson -- John Boorman", "John Boorman - A very English visionary is back", "The Enchanted World of Rankin-Bass: Arthur Rankin Jr., Interview at the Museum of Television & Radio (2003)", "Saul Zaentz Company v. Wozniak Travel, Inc., 627 F. Supp. [15][5][6] The treatment was criticised by Ian Nathan,[16] Tom Shippey[17] and others; Kristin Thompson noted the amateur nature of the enterprise, saying that it never represented a serious attempt to make a commercial film. In the 1960s, long widescreen epics (presented as a roadshow with an intermission) still proved successful, but few sequels were made in that genre, and therefore Katzka-Bernie commissioned Sir Peter Shaffer to write a treatment for a single, three-hour film adaptation of The Lord of the Rings, which was deemed "elegant",[26] keeping The Hobbit in mind as a potential prequel. [87] Rankin/Bass first titled the film Frodo: The Hobbit II, but as part of their settlement with Tolkien's estate, it was renamed The Return of the King, with the subtitle "a story of Hobbits. $315.54M, PG-13 Following the release of The Battle of the Five Armies, Freeman reprised his role as Bilbo Baggins in the Saturday Night Live sketch known interchangeably either as The Office: Middle Earth or The Hobbit Office, alongside Bobby Moynihan, Taran Killam, Kyle Mooney, and Kate McKinnon as Gandalf, Gollum, Legolas and Tauriel respectively as they take up office jobs. Action, Adventure, Drama. He suggested eliminating the battle of Helm's Deep to better emphasize the defence of Minas Tirith, and cutting characters out instead of diminishing their roles. ", "Tolkien Book to Jackson Script: The Medium and the Message", "Flashback for...August 31 to September 13", "Gene Deitch's 'The Hobbit' Short Film Surfaces Online Nearly 50 Years On", "A Long Lost Adaptation of The Hobbit Makes Its Way Online", "Tolkien Rights and the Amazon Television Deal – some insight", "AFI Catalog: The Lord of the Rings: The Fellowship of the Ring (2001)", "The Lord of the Rings Animation Review Anniversary", "Focus: Tolkien sold film rights to Lord of the Rings to avoid taxman", "If the Beatles HAD made a LOTR movie...", "Help! 1,673,461 He considered having children dressed with facial hair, dubbed by adult actors. Thanks to a series of maps that, starting in February 2019, Amazon began releasing on Twitter, we know that the series takes place during the Second Age of Middle-earth. [6][4] Tolkien said it was described to him as an animated film, but he professed to being ignorant of the process, and it is possible that Ackerman wished to make a primarily live-action film, using animation, stop-motion and miniature photography. [28] O'Dell left to India to visit the Beatles, with the books in his suitcase. The rights to distribute the prequel remained with United Artists. [7] Zaentz and Bakshi sued Rankin and Bass in an attempt to prevent the television special from airing, but were unsuccessful. [34] He was still promoting that film and it was not making the box-office returns that he had hoped for. [14] Medavoy offered him Boorman's script, which Bakshi refused, saying that Boorman "didn't understand it" and that his script would have made for a cheap product like "a Roger Corman film". UA stayed as the distributors. Negotiations extended until 1969, when the rights were sold off for $250,000 (adjusted for inflation, the modern equivalent is about $1.5 million) and 7.5% of gross receipts, minus expenses, to be paid to Tolkien. [2], While he was aware that "three films would obviously be the more natural way to do"[102] The Lord of the Rings and that The Hobbit would better be split across two films,[103] he made a more modest offer of a trilogy: one film based on The Hobbit which, if proven successful, would be followed by two Lord of the Rings installments, released six months apart. Harvey Weinstein tried to purchase them from the studio, but was unsuccessful. Carradine even suggested that Bakshi do it in live-action, but Bakshi said it could not be done and that he had "always seen it as animation. Universal once contacted him for the rights, to no avail. Ken Stott, Votes: It was supposedly Lucas' inability to acquire the rights to The Hobbit (which would have been split between Zaentz and UA, anyway) that led to the creation of An Ewok Adventure and Willow,[97] both heavily indebted to The Hobbit. The three films were shot simultaneously. [52][35][79] [49][80] In 2000, Bakshi was still toying with making part two with Zaentz. Tolkien never actually published any books after completing the Lord of the Rings trilogy in 1955. [69] He later called the Rankin-Bass TV special an "awful, sell-out version of The Hobbit. In 1972, storyboard artist Vance Gerry pitched an animated adaptation dedicated to The Hobbit. Martin Freeman, It was only exhibited once, in a projection room at New York to around twelve spectators who were pulled from the street, provided the admission money by the exhibitors so that they may sign a document stating that they paid to see a color film based on The Hobbit. "[14] Ackerman filed to extend his lease to a year, but he was unable to pay for the extension, and negotiations ended. Director: At one point, the story was to be told in flashback by Merry and Pippin to Treebeard as a setup for the second film, tentatively set to be released in 1980. [56], The script added many new elements and modified others. [6][9][5] Cobb scouted locations around California,[10] impressing Tolkien with pictures of mountains and deserts. It is set between the events of The Hobbit and The Fellowship of the Ring, and depicts Aragorn's quest to find Gollum. He was brought on board again later in the production to help illustrate the Dwarves – basing Thorin on concept art for Disney's Grumpy. Adventure, Fantasy. [4] Materials pertaining to the treatments of Ackerman, Boorman and Bakshi are stored in the Tolkien papers collection of Marquette University. [4], Tolkien already had objections – Lothlórien was described to him as a fairy-castle, and the story had been greatly condensed[10] – but he liked the concept art, which he describes as akin to Arthur Rackham[11] as opposed to Walt Disney, whom he loathed. Adventure, Fantasy. | It's easier to film The Odyssey, "Three Rings for Hollywood: Scripts for The Lord of the Rings by Zimmerman, Boorman, and Beagle", "Will the Video Version of Tolkien Be Hobbit Forming? [120] As with The Lord of the Rings trilogy, the prequel movies were filmed back to back in New Zealand; principal photography began on 21 March 2011. [50][74] Rated PG, it was the longest animated film made at the time, and cost $8–12 million[52] to produce; it grossed $30.5 million at the box office. Tell us what you think about this feature. Amazon, in cooperation with Warner Brothers and New Line Cinema, purchased the TV rights to adapt Tolkien's works for over $200 million and announced in November 2017 that they will work on a multi-season TV show, tentatively titled "The Lord of the Rings". Cate Blanchett, Votes: Ackerman showed Tolkien artwork by Ron Cobb and pitched Zimmerman's story synopsis, according to which the story would be condensed to a three-hour film with two intermissions. 1066: The Battle for Middle Earth (DVD) In the year 1066, England changed forever. Many characters in Peter Jackson's The Lord of the Rings and The Hobbit film trilogies diverge, to one … Not only is it the 20th anniversary of the big screen Lord of the Rings trilogy, but the Amazon Prime series is likely going to premiere as well. [50] Zaentz had recently produced the Academy Award-winning adaptation of One Flew Over the Cuckoo's Nest, distributed by United Artists, and agreed to buy the project. [130], Another fan made feature film, Born of Hope, produced and directed by Kate Madison, was released online on December 1, 2009 on Dailymotion and later on YouTube. All Middle-Earth Movies. At $2 million to produce, the special would prove the costliest made up to that time,[6] and starred John Huston, a fan of the book, as Gandalf. Harvey Weinstein limited the turnaround to three weeks, hoping that (by rendering it impossible for Jackson to find a studio in time) Jackson would have to come back to him and do the one-film version.[108][104]. $303.00M, PG-13 In retrospect, Boorman recognized that it "might have been" a disaster,[54] saying that a trilogy was a wiser choice. Adventure, Fantasy. After billions in sales, hours of adventures, and more than a decade of work, Peter Jackson's double-trilogy adaptation of author J.R.R. ... Middle Earth. 761,030 More importantly, this is an era of Middle-earth history that isn't very well-defined. Willow was eventually directed by Ron Howard, financed by Lucasfilm and distributed by MGM, and its inability to make substantial profits ended the high-fantasy productions of the 1980s. [9], Arthur Krim was replaced at United Artists by Andy Albeck, who objected to marketing the film as the first of two parts. After the rights were secured and John Boorman made his script, the idea of casting the Beatles (as the four Hobbits) was brought back to the table by David Picker until the band's separation became publicly known in 1970. "[8] He suggested cutting the scarier sequences, which would possibly include the spiders. [3] He had received a lot of fanmail on the matter, some proposing to adapt the works to film and some encouraging him to refuse such proposals. Disney were interested, but balked at the violence;[59] no other studio was interested in making a widescreen epic. "[117] Bakshi's writer, Peter Beagle, said Jackson has done it the only way possible, by making three different movies" and one of Bakshi's animators, Michael Ploog, said the trilogy was "brilliantly handled. Their discussion was apparently amicable; Tolkien found Gelfman intelligent and reasonable,[18] and Gelfman later recalled that they talked about the details of an adaptation. Early drafts by Conkling included Farmer Maggot, Tom Bombadil, the Old Forest, Glorfindel, Arwen, and several songs. He took issue with dialogue changes as regards to the "style and sentiment" of characters, and with intercutting between the storylines of Frodo and Aragorn. The Beatles once wanted to make 'The Lord of The Rings' film with director Stanley Kubrick", "1968-2018 – Il y a 50 ans, Le Seigneur des Anneaux et les Beatles au cinéma", "John Lennon wanted Stanley Kubrick to direct The Beatles in 'The Lord Of The Rings, "The Lord of the Rings: The Animated Films", "The Bakshi Interview: Uncloaking a Legacy", "The Beatles, the Maharishi and The Lord Of The Rings", "In the mid-1960s, the Beatles wanted to star in a, "From Hell: Lord of the Rings With The Beatles", "Alternative Universe Movies: John Boorman's Lord of the Rings", "John Boorman: 'You think the holy grail is lost? Frodo Baggins as Emmet. That tough tone does suit the one truly outstanding moment in this movie, one that is unique in the nine Middle-earth films that have been produced to date: we get a … 201 min Jackson was willing to consider this, if the film was to be around four hours in length, but Miramax limited it to two hours, and offered suggestions in order to achieve this, namely amalgamating Gondor and Rohan. The battle under the trees of Mirkwood, the next video will be about the battle under the trees of Lorien. 144 min Arwen as Wildstyle. In 1978, Romeo Muller won a Peabody Award for his teleplay. Middle Earth Biography, Drama, Romance. [71], With Conkling, Bakshi considered how to divide the story. He refused, but his agent Ken Kamins convinced Harvey Weinstein that getting another filmmaker to work on the project will result in further delays and costs, at which point Harvey conceded to give Jackson the opportunity to find another studio to take over. Action, Adventure, Drama. The series is due to be expanded with a prequel TV series produced by Prime Video in cooperation with Warner Bros. They featured extensive computer-generated imagery, including major battle scenes utilizing the "Massive" software program. It aired again in 1998, but then the rights to broadcast it were revoked. [127] According to John Howe[128] (acting as the show's lead conceptual designer) and to Jackson,[129] who has been contacted[127] to look over the scripts, the series is going to be set in the same continuity as the live-action features. [19] Tolkien directed Gelfman to his publishers, but nothing came out of it. "[67], In 1957, Ralph Bakshi sought to obtain the rights for an animated version,[68] aiming to make a Tolkienesque fantasy film "in the American idiom"; this led to the 1977 animated film Wizards. Middle Earth Chronological order (The Lord of the Rings and The Hobbit) 1. The film can be streamed freely on its main website. [69] To cut costs, cinematographer Timothy Galfas suggested solarizing the crowd scenes, to create a pseudo-animated look. Rankin thought adapting the whole Lord of the Rings was impossible and that the audience "wouldn't sit still for it. Tolkien and the events that inspired him to write The Hobbit and The Lord of the Rings. To cut costs, all flying steeds were removed. [6] According to animator Wolfgang Reitherman, Walt Disney wanted to make a Lord of the Rings feature in the 1950s, but his storyboard artists deemed it too complex, lengthy and scary for a Disney feature. "[20] McCartney said he loved the films, and watched them each Christmas with his family. The third film in Peter Jackson's trilogy, The Lord of the Rings: The Return of the King, was the first and, as of 2020, only high-fantasy film to win Best Picture, as well as the second sequel to do so after The Godfather Part II. Collectively, the New Line franchise has received a record 37 Academy Award nominations, winning 17, and three special awards, also a record. This collection includes all six Middle-earth films in their theatrical versions. [2] He also watched and enjoyed (but didn't think very highly of) the fantasy films and space operas of the 1980s. Users can zoom in on parts of … "[83] However, he did praise the effects of "thousands of men in armies attacks each other. Richard Armitage, | "[37], Heinz Edelmann, a fan of the book and art director on Yellow Submarine, pitched his own idea for an adaptation to United Artists. 179 min Another attempt at purchasing the television rights was made in 1968, which would have put it concurrently with the cinema rights being sold to United Artists. $377.85M, PG-13 By the time Boorman returned to head of production, Mike Medavoy, the studio had suffered a series of commercial failures. | Jackson insisted on making two films (and even suggested three[102][104]); the Weinsteins "blanched"[102] but agreed on two films. The singer Arlo Guthrie pitched an animated feature to the studio, but UA were adamant they wanted the film to be live-action, although the contract options an animated film.[6]. [115] Boorman was happy about his film's cancellation, as it resulted in Jackson's films. This is the only film adaptation which includes Tom Bombadil, the Barrow-wights and the scourging of the Shire. | [78], Work began on a sequel, and Bakshi and Zaentz tried to stop Rankin and Bass from airing the Lord of the Rings television special to avoid overlap with their film, but Bakshi became disheartened with the animation approach, argued with Zaentz, and work was halted. [121] The first film was released on 14 December 2012, the second was released on 13 December 2013, and the third was released on 17 December 2014, with the final extended cut released in October 2015, twenty years after Jackson's original pitch. While filming, Jackson told Elijah Wood he wasn't interested in directing The Hobbit, but during post-production on The Two Towers, spoke more enthusiastically of it with composer Howard Shore. Zaentz was only able to offer a humble budget of $8 million. During his two thousand years in Middle Earth, Gandalf began to understand the way these inhabitants lived, especially The Hobbit. [9] Now elderly, Tolkien's desire to set up a trust fund for his grandchildren could indicate that he might not have expected to live and see the resulting film, and wanted to use the profits to take care of his ailing wife. Their previous two features, A Hard Day's Night and Help!, directed by Richard Lester, were successful. Added to Watchlist. "[10] Deitch thought the films were "serious and great. Although unofficial, it has received coverage in major media. By 1967, Gelfman established Katzka-Bernie productions with Gabriel Katzka and entered negotiations with Tolkien to adapt The Lord of the Rings for United Artists,[6][19] "with an option for The Hobbit. The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. It is set before the events of The Hobbit. Carole Ward suggested adapting The Lord of the Rings for television in 1964, to air on the newly launched BBC2. Stars: 2021 is a big deal year for the world of Middle-earth. During principal photography, Jackson looked at assembled footage and decided to split the piece into three instalments, released between 2012 and 2014. | In 1985, the USSR aired The Fabulous Journey of Mr. Bilbo Baggins the Hobbit (Russian: Сказочное путешествие мистера Бильбо Беггинса Хоббита), a television special based on the events of The Hobbit. He first pitched the idea of adapting The Lord of the Rings and The Hobbit to Miramaxin 1995. Richard Armitage, Director: Stars: Locations scouted for the film crop up in Zardoz and Excalibur, and the optical effect techniques Boorman developed were used in both films, as well as Exorcist II: The Heretic. Ian McKellen, Director: New Line suggested Sam Raimi to direct, but in 2008, Guillermo Del Toro was chosen to direct a two-film adaptation, produced by Jackson and co-written with Walsh, Boyens and Del Toro. Tolkien protested against added "incantations, blue lights, and some irrelevant magic" and "a preference for fights". $342.55M, PG-13 Other filmmakers and producers who were interested in an adaptation included Walt Disney, Al Brodax, Forrest J Ackerman, Samuel Gelfman, Denis O'Dell (who contacted David Lean, Stanley Kubrick and Michelangelo Antonioni to direct), and Heinz Edelmann. Elijah Wood, Although Jackson and Walsh re-read The Hobbit and even commissioned their workshop at WETA for some concept art, the rights to The Hobbit proved difficult because they were split between Zaentz and United Artists. 477,795 In 1999, New Line Cinema assumed production responsibility (while Miramax executives Bob Weinstein and Harvey Weinstein retained on-screen credits as executive producers). [citation needed], It was decided to move ahead with The Lord of the Rings, leaving The Hobbit as a possible prequel. Other directors said to have been considered are Neil Blomkamp, David Yates, David Dobkin and Bret Ratner.[119]. View production, box office, & company info Production Notes from IMDbPro. He told Jackson that Lennon would have been Gollum, Ringo Sam, and Harrison Gandalf. Tolkien's classic Lord of the Rings and Hobbit books is finally concluded, and now that critics have weighed in on all six films, it's time to look back and see how The Hobbit: The Battle of the Five Armies stacks up against its predecessors. [105] Jackson also later made remarks about potential spinoff films[106] and even half-joking remarks about television spin-off shows. [35] Conkling started writing a single three-and-a-half hour feature of the entire work, but eventually settled on two 150-minute films. Along with The Godfather film series, it is one of two film series to date to have received three Best Picture nominations. In 2017, Amazon co-operated with New Line to acquire the television rights to adapt a new prequel show set in a period glimpsed during a flashback in The Lord of the Rings films. Add to Watchlist. . And at the end of the trilogy, when the One Ring gets destroyed, we see Talion on a Fell Beast being hit by a flaming boulder. [49] Nevertheless, Boorman tried shopping the project at other studios. The special was not aired until 1977, because Rankin originally contacted a British animation firm, Euroanimation. [85], In 1980, Rankin/Bass more or less completed what Bakshi had started with their own animated adaptation of The Return of the King,[86] based on their own concepts previously applied to their earlier animated adaptation of The Hobbit. Jackson believes this was an empty threat to get him to concede to the one-film version. Peter Jackson Rated: PG. Experience Academy Award®-winning director Peter Jackson’s Middle-earth trilogies from beginning to end. [12] Conkling's work was deemed unsatisfactory by Bakshi and Zaentz, who brought in Peter S. Beagle to do rewrites. In December 2001 Peter Jackson released “The Lord of the Rings: The Fellowship of the Ring”, launching one of the most successful film franchises in history. [28][32][33] Kubrick had worked on genre films and had pioneered special effects in 2001: A Space Odyssey, but it proved complex to produce, and he had difficulty depicting the aliens onscreen, which would have made him wary of the prospect of rendering fantasy creatures.

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